Studio Lead Spotlight - Dennis Mulherin
Meet Dennis - Wood Studio Lead
What drew you to this art form specifically?
It was introduced to me in middle school. I think I just enjoyed how interactive it felt compared to the other general education classes—I liked that it kept me moving.
What made you stick with it?
After nearly finishing my undergraduate degree, I realized that becoming a lawyer wasn’t in the cards. As I was searching for an alternative path, I kept coming back to making. It had always been a way to reduce stress and something I felt deeply drawn to.
What’s your favorite thing you’ve made?
I was given a week to design and build a casual chair, and that was without a doubt the most enjoyable week I’ve spent making. It combined refined production techniques with calculated hand tool shaping. I even did custom upholstery using elk hides I selected from a local supplier. That chair represents the kind of care I’ve always wanted to bring to every part of the process—from sourcing to design to execution.
What did your parents think about you being an artist?
They were supportive. I made it clear that this was the life I wanted to lead, and they respected my conviction.
What’s your favorite class to teach?
The hand tool class, hands down. It’s quiet, focused, and teaches a kind of peace of mind. There’s something about that connection—with both the tools and the materials—that brings people together while giving them a meaningful, concentrated task.
Where do you recommend people start with this art form?
Start with hand tools. It’s a deeply satisfying way to begin woodworking. There’s less upfront cost, and while it takes longer and demands patience, those are exactly the kinds of qualities that make a good maker. It’s slow, intentional, and incredibly rewarding.
If you didn’t teach this art form, what would you want to practice or teach instead?
I’d either be a full-time writer or a creative writing teacher. Writing is expressive, accessible, explorative—and there’s always room to refine your craft.